Latest Stomp News

Sale of Stomp Entertainment

I am very pleased to advise you that on Friday 13 August 2010, the business, assets and operations of Stomp Entertainment and its related entities ('Stomp Group'), operating the 'STOMP', 'Play4me' and 'cdwow.com' businesses both within Australia and internationally were acquired by Surrealus Pty Ltd (ACN 144 018 002) ('Buyer').

The Buyer is a new company owned by Paul Uniacke and Edward Nedelko, the owners and operators of Franchise Entertainment Group. Franchise Entertainment Group is a privately owned group based in New South Wales which owns and operates the Video Ezy, Blockbuster and EzyDVD businesses in Australia. There are currently over 750 Video Ezy and Blockbuster stores operating in Australia, operated by Franchise Entertainment Group as franchisor or as a corporate store.

In relation to the acquisition, I note the following:

  • The Stomp businesses will continue to operate from their current premises in Abbotsford, Victoria, and all personnel of the Stomp businesses in Australia have been offered employment with the Buyer. This will ensure that business operations and customer service are uninterrupted by the change in ownership.
  • All invoices dated before Friday 13 August 2010 which remain outstanding must be paid to the relevant member of the Stomp Group (ACN: 065 002 940) that issued the invoice to you. Such amounts should be paid to the existing bank accounts of the Stomp Group as previously notified and detailed on the relevant invoices.
  • All invoices dated on or after Friday 13 August 2010 must be paid to the Buyer. Each invoice will clearly identify that it is being issued by the Buyer – Stomp Pty Ltd formerly Surrealus Pty Ltd (ACN: 144 018 002)- and will include new bank account details for payment. Payment of new invoices should not be paid to the former owners and any direct or automatic payment arrangements or authorities should be updated accordingly.

We look forward to continuing a long and mutually beneficial relationship with you as a valued customer of the business.

If you have any queries regarding the arrangements set out in this letter, please contact Tim Richardson (e-mail tim.richardson@stomp.com.au or phone +61 3 9412 3553).

Yours faithfully,
Paul Uniacke
For and on behalf of Stomp Pty Ltd

Posted: Friday, 20 August 2010

TEENAGERSINTOKYO SIGNS TO STOMP!

teenagers_tokyo_packSydney born and bred TEENAGERSINTOKO release their amazing debut album ‘Sacrifice’ and single ‘New Day’ through Stomp Entertainment on 20th August 2010. ‘Sacrifice’ draws together the most exciting subterranean music of the past thirty years and is bound to make the world sit up and take notice. Produced by Faultline main man and twice Mercury Prize nominated Bat For Lashes producer David Kosten, TEENAGERSINTOKYO has achieved one of the most sparkling debut albums this year with a sound which manages to marry crawling synths with pulsing rhythms and screaming guitars.

In a short space of time TEENAGERSINTOKO have come from nothing to headlining the launch of The Great Escape, performing with Wild Beasts and selling out venues across the UK, bagging support from the likes of Zane Lowe (BBC1), XFM and the NME; and most recently topping the Hype Machine chart with The Horrors remix of ‘Peter Pan’.   The band also took in a successful European tour playing to audiences in Amsterdam, Paris, Berlin and Rome.

Following the celebrated release of their self-titled EP in 2008 the then Sydney based band caught everyone’s attention, landing themselves international acclaim, support slots with CSS, The Slits & Gossip, a record deal with UK taste-maker label Back Yard Recordings and a move to the other side of the world. The timing couldn’t be better for the Australian release of ‘Sacrifice’.

Album references are immaculate: ‘Isabella’ recalls prime era Siouxie & The Banshees with a serrated electro punk edge; while ‘Long Walk Home’ is awash with moments of Joy Division synth. The relative light and optimism of first single ‘New Day’ is outweighed by the emotional calamity of ‘End It Tonight’, and

‘Peter Pan’ whips, lashes and sparks like a loose electric cable. The bass is tar thick, the drums edgy and jittering, the guitars sharp and slicing and caught in the centre, singer Samantha Lim’s veneer of fragile innocence fractures and collapses to allow glimpses to the turmoil beneath. It’s a crooked shadow racing for the dancefloor with its knives drawn.

TEENAGERSINTOKYO are poised to take their place amongst the artpop new wave; now sultry shimmerscapes like ‘3046’ and deviant dancefloor destroyers ‘Talk To The Fire’ and ‘End It Tonight’ are set to draw back the curtain on a more opulent Big Picture.

Prepare to be dazzled, blackened and bewitched.

Watch the video for End it Tonight here

Teenagersintokyo ‘Sacrifice’ will be released on 20th August 2010 through Stomp Entertainment.

Posted: Monday, 12 July 2010

JOHN DIGWEED TO RELEASE 2CD/DVD PACK!

dIGWEED_STRUCTURES_PACK2010 is proving to be a fantastic year for music and a great year for the ever-impressive Bedrock Records. For his latest album venture, ‘Structures’, John Digweed has selected an exceptional 33 tracks, bringing together the latest Bedrock single releases and a plethora of unreleased, exclusive tracks and remixed tracks from ‘Bedrock Eleven’, all mixed together to perfection the man himself.
 
The totally tuned-in, turned-on, forward thinking mix across 2xCDs, not only features the amazing music of big guns like Cristian Varela, Guy J, Christian Smith, Quivver, King Unique, Nick Warren, Mutant Clan, John Digweed & Nick Muir, but also showcases the label’s desire to push forward the rising stars of the future. A glance through the tracklist reveals the impressive talents of Rowdent, Dimitri Nakov, Marc Marzenit, Ian O`Donovan, Sian, Luis Junior and many more. The additional bonus of featuring some of the best remix work from Nic Fanciulli, Pete Heller, Psycatron and more, only confirms that John Digweed has his finger firmly on the pulse of the electronic dance scene in 2010. It’s an international showcase from this influential label that is hard to beat.
 
‘Structures’ is further enhanced by the inclusion of a bonus DVD featuring ‘Eye Of The Storm’, a visual masterpiece documentary, filmed on John’s last tour of South America by Pablo Casacuberta (www.pablocasacuberta.com ). His exceptional creativity assumes that the viewing audience has a certain awareness of John Digweed’s "public persona" and hence seeks to take a glimpse his inner life, thinking processes and his imagination using visual metaphors that can illustrate them in a graphic way. It’s an approach that reinvigorates the somewhat formulaic music documentary genre, and takes it to another enthralling level.

It seems amazing that through such an illustrious career so far, John Digweed has never had a live DJ mix made commercially available! But, ‘John Digweed Live at the Vagabond’, recorded live at the 9th Annual Bedrock/Creations Party at Vagabond Miami 27th March 2010, included here on the ‘Structures’ bonus DVD is yet another musical milestone. It’s a live mix complete with slideshow that captures the essence of this amazing Bedrock party for posterity.

 Watch a clip from the DVD here.

’Structures’ will be released 16th July 2010 through Bedrock/Stomp.

 

Posted: Monday, 12 July 2010

BEN FROST CHOSEN BY BRIAN ENO FOR A YEAR OF MENTORING IN ROLEX ARTS INITIATIVE!

bEN_fROST_PIC

Geneva, 28 June 2010 – Ben Frost is among six exceptional young talents who have been chosen by some of the world’s most distinguished artists for a year of collaboration and inspiration in the international Rolex Mentor and Protégé Arts Initiative, it was announced today.

Frost, 30, an acclaimed composer, producer and musician originally from Melbourne, who has lived and worked in Iceland since 2005, is the music protégé for 2010-2011. He will be mentored by Brian Eno from the U.K. who made his name with Roxy Music in the 1970s and has become a visionary composer and producer, working with many leading artists. The Arts Initiative has six disciplines: dance, film, literature, music, theatre and visual arts. With four of the total 29 protégés over the five cycles of the Arts Initiative, this marks the first time an artist from Iceland has participated in this international program.

The protégés will each have their own individually tailored program, providing time across the year for unique personal access to and creative dialogue with their mentor. In addition, the protégés will receive a grant of US$25,000 each and are eligible for a further $25,000 towards the cost of creating a project following their mentoring year.

The other protégés and mentors for 2010-2011 are:

Dance: Australian dancer Lee Serle, selected by mentor Trisha Brown (United States)

Literature: American poet Tracy K. Smith, selected by mentor Hans Magnus Enzensberger (Germany); Visual arts: South African artist Nicholas Hlobo, who will be mentored by Anish Kapoor (United Kingdom);

Theatre: Lebanese actor, writer and aspiring director Maya Zbib, whose mentor is Peter Sellars (United States);

Film: Annemarie Jacir, a Palestinian film director and poet living in Jordan, who will be mentored by Zhang Yimou (China).

The Rolex Mentor and Protégé Arts Initiative was founded in 2002. The programme is organized by a specialist team based at Rolex headquarters in Geneva. Through an Advisory Board, which recommends the mentors, and expert nominating panels, six talented, young artists around the world are sought to work alongside six major artists in the fields of dance, film, literature, music, theatre and visual arts for a year of intense collaboration. Artists who have been mentors on the programme are: John Baldessari, Tahar Ben Jelloun, Sir Colin Davis, Anne Teresa De Keersmaeker, William Forsythe, Stephen Frears, Sir Peter Hall, David Hockney, Rebecca Horn, Jiří Kylián, Toni Morrison, Mira Nair, Youssou N’Dour, Jessye Norman, Martin Scorsese, Álvaro Siza, Wole Soyinka, Julie Taymor, Saburo Teshigawara, Mario Vargas Llosa, Kate Valk, Robert Wilson and Pinchas Zukerman.

Ben Frost ‘By the Throat’ and ‘Theory of Machines’ out now through Stomp/Bedroom Community!

Posted: Monday, 12 July 2010

CRADLE OF FILTH SIGNS TO PEACEVILLE RECORDS!

Cradle_of_filth_logo
One of the most infamous and notorious names in metal, Cradle Of Filth continue to shock, excite, disgust and inspire in equal measures.  In October 2010, on 'All Hallows Eve', the latest chapter of the band’s dark history is to be released through Peaceville Records / Stomp Entertainment on the band’s own AbraCadaver imprint. 

Grammy nominated Cradle Of Filth have been pioneers of extreme music since their debut in 1994 and have continued to evolve with each of their subsequent releases. Unafraid of ruffling a few feathers, the band have continually refused to bow to convention or to conform to prevalent trends and fads. Yet despite this uncompromising stance the band are still the most successful British heavy metal band since Iron Maiden, with legions of fans around the globe.

Never shy of embracing the epic, Cradle have constantly sought to push the boundaries of their art. Whether through elaborately theatrical stage shows (incorporating giant lumbering puppets, fire-breathing dancers, freaks and stilt-walkers from the notorious Circus Of Horrors), provocative merchandise (including the now legendary ‘Jesus Is A C***’ t-shirt), breathtaking artwork or the weighty subject matter of their albums (their latest one was a concept album telling the story of a French Lord who fought alongside Joan Of Arc, before embarking on a horrific killing spree), this is a band who have refused to be confined by the labels that have been placed on them.

The band (comprising of Dani Filth-vocals, Paul Allender and James McIlroy-guitars, David Pybus-bass, Martin Skaroupka-drums and Ashley Ellyllon-Keys) enter Monkey Puzzle studios near Bury St Edmunds in Suffolk this month to start work on their new album, the follow up to 2008’s Godspeed on the Devil's Thunder. Cradle Of Filth remain stalwarts to the satanic horror ethos by again composing a fully blown concept album, this time based on Adam's first wife, the lascivious Demoness Lilith; throwing Medieval nuns, Knights Templars, Greek mythology and lashings of sex, occult lore and violent bloodshed into the smelting pot, to create a darkly erotic nightmare set to their unique scope of supreme vampyric metal.

For this release the band wanted mastery of their own destiny, choosing to release the album on their very own AbraCadaver label in conjunction with Peaceville Records / Stomp Entertainment, home to such illicit luminaries as Darkthrone, Katatonia, My Dying Bride, Bloodbath and Gallhammer amidst many others.

Vocalist Dani Filth has described the move as being 'a choice to move away from the artistic restrictions/mindless inhibitions imposed by dwelling on a major label' and cites the current financial clime as 'the perfect opportunity to start doing things our own way again, with the added benefit of being a far bigger fish in a proverbial pool, surrounded by people who have been handpicked to get the job best done. And more importantly... who still are hungry for the taste of music'.

Having recently published the long-awaited 'Gospel Of Filth' grimoire of all things ghastly and ghoulish, the band will finish the new album, undertake its heavy press schedule and then embark on a full world tour in its support. Whatever the future holds, you are guaranteed that the alliance between Cradle Of Filth and Peaceville Records / Stomp Entertainment will be mad, bad and dangerous to know...

The cradle will f**king rock!

‘ALL HALLOWS EVE’ OUT OCTOBER 2010 ON PEACEVILLE RECORDS / STOMP ENTERTAINMENT

Posted: Monday, 12 July 2010

DETROIT GRAND PUBAHS ANNOUNCES NEW ALBUM AND SINGLE!

dETROIT_PUBAHS_SINGLE_PACKThose fine purveyors of funk-fuelled electronics, Detroit Grand Pubahs are back with a new album for the new decade, and to whet your appetite for this highly anticipated return is their latest single ‘Numb Deaf & Dumb’. The teaming of Mack Goudy Jr. (aka Paris the Black) & The Mysterious Mr O was a natural disaster waiting to happen. Miraculously, the personalities of these two tweaked characters seemed to complement each other perfectly and they instantly bonded. As Detroit Grand Pubahs, they continue to raise the bar with past albums like ‘Nuttin’ Butt Funk’ which included the mighty ‘Skydive From Venus’ as well as an ever progressing live show.

Their own Detelefunk label (Detroit Electro Funk, to give it its full title) took a brief hiatus for much of 2009 while they moved distributors, but now it’s back with all funk guns blazing. On ‘Numb Deaf & Dumb’ the Pubahs take on a classic break-up song, but add their own electro twists and turns. In typical Pubahs style the deep, sincere toned vocals, but sometimes tongue-in-cheek lyrics from Paris are underpinned by the inspired machine antics of this duo.

Long-standing UK tag-team Space DJz (Ben Long / Jamie Bissmire) turn in the first alternative mix; a stripped-down rumbler of dark electro proportions. While the legendary DJ Pierre draws on his pioneering acid skills to distort the vocals and add effective definition, making his ‘Afro Acid Mix’ a major dancefloor contender this summer.

Also look out for the video of ‘Numb Deaf & Dumb’ while you wait for the Pubahs next album to be unleashed later in the year. The video is drawn from the classic Tex Avery cartoons where the country wolf goes mad over the city women, but in this version Paris wants to capture the 4 lovely ladies in sheep costumes for Mr. O to work his magic.

Watch the video clip here

“NUmb, Deaf & DUmb“ is the first single taken off the new album “Madd Circus“ to be released 13 September 2010 through Stomp/Detelefunk.



Posted: Monday, 12 July 2010

STOMP WELCOMES LOVERS GRAVE TO ITS ROSTER!

LOVERS_GRAVE_PACKStomp Entertainment is excited to welcome Lovers Grave to the family!! 

Twelve months ago Lovers Grave was an idea of something fresh and heavy, something to reflect the way we all felt as people and parts of our own worlds. While the short road from then to the present wasn't without its hurdles like line-up changes, the band has remained focused in writing an EP that is a solid addition to heavy Australian music, and essentially a part of themselves. "I like to think there is some humility in "DEADCITY", it’s a personal record, we didn’t just one day half way through writing go ok it’s going to be personal now, we set out to write something honest to us that we, and hopefully whoever listens to the record, can feel and not just acknowledge" says Dillon.

Lovers Grave's front man 2010 has seen Lovers Grave support As I Lay Dying and Ghost Inside and recently wrapping up the last few dates of the national 'Mistake tour' with Confession, Thy Art Is Murder and Wish For Wings, Lovers Grave are back in their hometown Melbourne to focus on promoting the release of their debut EP "DEADCITY" which is available on iTunes from August 3rd and in stores everywhere August 6th.

Posted: Monday, 28 June 2010

TRENTEMOLLER RELEASES 2ND SINGLE FROM NEW ALBUM!

trentemoller_new_pic_2010....Even Though You‘re With Another Girl‘ is the amazing second single to be taken from Trentemøller‘s stunning new album ‘Into The Great Wide Yonder‘. After the huge reaction to the beautiful long player, which mixes classic Trentemøller production mastery with more of an analogue, song based, indie-feel, it’s time to carry on with this intriguing set of remixes.

... Even Though You‘re With Another Girl‘ chimes and drifts across the A side. This hauntingly moving love song features spine tingling vocals by Josephine Philip, and could perhaps be Trentemøller‘s most touching recording yet. Josephine is the singer & keyboard player in the new promising Copenhagen based indie rock band Darkness Falls. Apart from that Josephine joined Trentemøller on the spectacular live show at Roskilde last year.

Gracing the B side of this special 7‘‘ is Mikael Simpson‘s version, which simply allows pianos, strings and tape overdubs to bring out the beauty in the vocal. Simpson is one of Denmark’s most popular singer/songwriters and already contributed a very special version of “Moan” from Trentemøller’s debut ‘The Last Resort’ for which he also wrote the lyrics.

Side by side comes a hot 12‘‘  that features remixes by Kollektiv Turmstrasse and Pantha Du Prince. The Kollektive‘ s half of the record slaps a heavy dose of deep, dark funk into the mix, with this ingenious lo-slung version. Post minimal- punk electronic drums meet warbling synths and reduced, subliminal use of the vocals in a delicate and stylish mixture of pop-meets-deepest-electronica.

Dial‘s man of the hour Pantha Du Prince creates a typically high-end remix based on his trademark twinkling melodies and warmly grooving understated beats. The Dub version twists and turns with unpredictable laid-back intensity as a rousing chorus of strings and harmonic elements fuse under dubbed out vocal elements.

Trentemoller ‘Into the Great Wide Yonder’ is available now through In My Room/Stomp.

 

Posted: Monday, 28 June 2010

AMAZING VIDEO CLIP FROM NOISIA!

nOISIA_VIDEO_CLIP3 Years in the making and directed by exciting film director Alexander Lehmann, Noisia has finally released the long awaited music video for ‘Exodus’ which features KRS-One on vocal duties. A futuristic slice of unrelentless Drum n Bass intertwined with some cutting edge hip hop beats, ‘Exodus’ was an instant underground anthem when it was released in 2006. Heralded for it’s amazing slick production that was complimented by KRS-One’s impressive vocal delivery, ‘Exodus’ was a track way ahead of its time and also one that catapulted Noisia into underground legend status.

The music video for ‘Exodus’ has been three years in the making and it parallels the post apocalyptic feel that made ‘Exodus’ stand out from the rest. The video is set in the ‘not-too-distant-future’ and there will be definite lines drawn between this and sci-fi smash War of the Worlds with its stark feel and apocalyptic vision. Starting off with the  relative peace and calm off underwater cities and impressive ocean motorways, things quickly spiral out of hand with the arrival of robotic aliens who sets out to cause carnage and mayhem to the tranquil scene set at the beginning.

The song beautifully narrates the video and will surely go down as one of the most impressive music video release this year!!

Watch the clip here!

Noisia ‘Split the Atom’ is out now through Vision/Stomp!

Posted: Tuesday, 18 May 2010

MICHAEL MAYER ANNOUNCES NEW 'IMMER' MIX!

KomCD083_immer3_front_1417.jpg“The majority of these tracks have been long companions, ever reliable secret weapons. They never failed me and continue to excite me even after a thousand plays.”MICHAEL MAYER

It’s been almost eight years since our ears were delighted to MICHAEL MAYER’s IMMER (which translates in English to ALWAYS) – a mix CD that even for its time seemed to transcend the state of the DJ mix album by bridging a timeless period of emerging music from producers known and new in exemplarity style and fusion. IMMER would play a pivotal role in bringing the sound of KOMPAKT and of course MICHAEL MAYER, to a global audience and to this date remains one of the most cherished and respected mix CD’s of all time. Recently it made countless “best of decade” charts normally reserved for studio albums (including PITCHFORK and FACT MAGAZINE) and also earned a #1 position of “Best Mix CD Of The 00’s” in leading dance music authority RESIDENT ADVISOR.

Following a winter holiday and series of gigs in South America, Michael arrived back home inspired and went straight to work on preparing the mix. As with the previous IMMER releases, what you hear in IMMER 3 immediately is a tremendously personal and reflective mix - Michael jokes that its the most feminine mix he’s done. Opting to not choose the most current and hip genres or tracks of the moment, Michael carefully chose timeless musical moments from his record crate that almost hints as a call to obliterate the current state of overhyped minimal bongo house, formulaic techno and dub step that rules the clubs today – as was similarly the case back with the first IMMER release. The results reflect the smooth flow and selection that Michael brings to his fans in clubs week after week.

Taking cue from his love for performing in the early morning hours
“…when the skin seems to fail separating dancers from each other…when the night has reached it’s peak of intimacy”, IMMER 3 opens with the haunting croon of CORTNEY TIDWELL aided by the lush bed of EWAN PEARSON’s ambient fluidity. MATIAS AGUAYO & DIRK LEYER’s now legendary CLOSER MUSIK’s “Departures" is awoken from its 2002 slumber in timeless form giving sway for the mesmerizing trippiness of DJ KOZE’s remix for BEN WATT. TIM PARIS and the fundamental classic SMITH N HACK track “Falling Stars” set up the pace with a solidified summer house tune to lead in to RAUDIVE’s sinister stormer “Slave”. GUI BORATTO ushered in this year with one of his best tunes ever and a true modern anthem – his remix for MASSIVE ATTACK “Paradise Circus” took vocalist HOPE SANDOVAL to insatiable levels of sonic bliss and thus makes for a pivotal part of the mix. (Unfortunately due to the limited understanding and compassion of MASSIVE ATTACK’s record label, this song is not allowed to appear on the digital version of the mix and therefore only appears on the CD version.) Onward, POPNONAME makes his KOMPAKT POP debut with the TERRANOVA remix of his hit “Hello Gorgeous”. Finally, after 3 years of waiting, the sleeping beauty that is SUPERPITCHER’s lost CHARLOTTE GAINSBOURG remix makes its debut official appearance – the classic flair of SUPERPITCHER’s sexy techno sway conjoins with Madame GAINSBOURG in a duet like no other. It’s possibly one of the most bizarre DJ transitions in music ever but amazingly South Africa’s CULOE DE SONG’s emotionally overwhelming anthem “The Bright Forest” makes total sense when linked with JUSTUS KöHNCKE aka KINKY JUSTICE’s cover of the ROUND TWO house classic “NEW DAY”.

Immer 3 will be released 11 June 2010 through Kompakt/Stomp.

Posted: Monday, 3 May 2010

STIGMA SIGNS TO STOMP!!!

stigmaStomp Entertainment is proud to announce the signing of Italy’s finest horror metal extremists Stigma!!

Italy’s horror inspired extreme metal act STIGMA has struck again with its April 2010 sophomore release, Concerto for the Undead.   Fusing staccato and spastic guitar riffs with uncompromising breakdowns and lyrical themes revolving around zombies and terror, Concerto for the Undead defies any “core” branding, placing the quartet in a league of its own.

STIGMA began its conquest of the European metal scene in 2000, releasing two critically acclaimed EPs and appearing at Wacken Open Air and Metal Camp in addition to touring incessantly in their home country. After signing with USA-based record label Pivotal Rockordings, STIGMA recorded its debut effort When Midnight Strikes! which was released in early 2008.  The album praised by the media worldwide, with special accolades from Metal Hammer, Rock Hard, Kerrang! and Legacy magazines.  Following the release of When Midnight Strikes! STIGMA took its horror show on the road for seventy dates, conquering and captivating audiences at festivals and clubs across Europe.

STIGMA’s mission to supersede its contemporaries in brutality takes centre stage in Concerto for the Undead.  Recorded at Fear Studio and produced by Bring Me the Horizon guitarist Jona Weinhofen, the album presents listeners with a crystal clear barrage of uncompromising and vertiginous riffing complemented by infectious gang shout choruses, relentless blast driven drumming and ferocious bass riffing.  Concerto for the Undead was mixed and mastered by Scott Atkins (Behemoth, Cradle of Filth, Sylosis) and features guest appearances by Jamie Hope (ex-THE RED SHORE) and Jon Hunt (ex-DEAD TO FALL).  Andrea Berton’s stunning artwork features comic illustrations of the band’s now patent horror themed lyrics.  Fans of The Black Dahlia Murder, Darkest Hour, Himsa, At the Gates and horror aficionados worldwide should be prepared for STIGMA’s Concerto for the Undead.

“I’ve known Stefano Ghersi for years through touring etc and when he and the guys from Stigma approached me about working with them I was stoked. Producing is always something which I have had a big interest in ever since recording my first album with one of my own bands.  Between my busy touring & writing schedules, and living between 3 separate countries it would have been nice to have some extra time to really get involved with the whole process as I think we just scratched the surface of the bands potential with my involvement.” – Jona Weinhofen (Bring me the Horizon, IKTPQ)

Stigma Official Website - http://www.stigmahc.com
Stigma Official Myspace – http://www.myspace.com/stigmahc

Stigma
'Concerto fot the undead' out May 7th thorugh Stomp.

Posted: Thursday, 15 April 2010

NOISE TITANS NOISIA WITH DEBUT ALBUM!

Noisia_pack“Best producers dance music has on offer… Marvel in it.” Zane Lowe
“If Van Gogh had heard this, he'd have cut off his other ear out of fear.” Pendulum
“Noisia come with the precision tuned aural assault, one of the greatest production outfits of our time.” Andy C
“Dutch masters Noisia show their production expertise with a hard hitting smash. Watch out for Noisia in 2010.” Chase&Status

2010 is promising to be a huge year for Noisia, comprised of Nik Roos, Thijs de Vlieger and Martijn van Sonderen. The multi-award winning Dutch trio, who have garnered a huge underground following thanks to their constantly enthralling releases such as ‘The Tide’, ‘Exodus’ [which features KRS-One] and ‘Stigma’ are releasing their debut album, ‘Split The Atom’, on April 5th and look set to blow ear-drums out across the world.

Not content with producing Hadouken’s latest album ‘For The Masses’ in its entirety [which saw ‘Mic Check’ become Zane Lowe’s hottest record in the world], seeing the video for their collaboration with Foreign Beggars on ‘Contact’ smash past the half-million views mark on YouTube and appearing on the DJ Hero and Gran Turismo computer games, Noisia will showcase their incredible talent for bringing the heaviest of beats to the table, ready to knock the entire music world off its feet with ‘Split The Atom’.

As if to stamp their authority on the new decade, lead single ‘Machine Gun’, released on March 8th, along with its remixes were placed on Noisia’s MySpace and within one day the player had clocked in over 10,000 plays, dwarfing the numbers reached by other high-profile acts including Hot Chip and Calvin Harris. With such a strong springboard to launch from, it’s only a matter of time before Noisia become the latest superpower to break through from the world of Drum & Bass.

The album doesn’t simply feature D&B however, with the group’s love of electro and breaks also influencing proceedings, showing once again the versatility of their production. The sonic backdrop is also helped on the album with guest appearances from Foreign Beggars, Amon Tobin, Joe Seven and Giovanca.

‘Split The Atom’ represents a huge step for Beatport’s “Best Drum & Bass Artist” award winners, a step they welcome with open arms as they continue to push the boundaries of their musical style.

Noisia 'Split the Atom' will be released 30 April through Vision Records/Stomp!

Listen to first single 'Machine Gun' here!

Posted: Thursday, 15 April 2010

TRENTEMOLLER RELEASES VIDEO FOR FIRST SINGLE 'SYCAMORE FEELING'!

Trentemoller_sycamore_feelingThe video for ‘Sycamore Feeling‘, the first single from Trentemøller’s new album ‘Into The Great Wide Yonder’ (album release June 4th) is written and directed by New York-based Danish video artist Jesper Just. Set in the deserted ghost town of Centralia, PA, notorious for a mine fire that has burned beneath the ground since 1962, the video shifts between images of the desolate cityscape with smoke and steam rising from the earth, and a woman moving through an abandoned house.

The role of the female character is played jointly by actress Diana Wagner and the well-known NY-drag performer Princess Diandra, shot and edited as fragments, making them disconcertingly difficult to tell apart. Using his trademark subversion of popular-cultural visuals and narratives, Just‘s video has the uncanny character of a modern-day Pygmalion story or the tale of Cinderella, the lead character undergoing a physical transformation yet without the fairy-tale deliverance of reward or fortune in the end. The video was shot on RED by cinematographer Kasper Tuxen on location in Centralia, PA.

Watch video here!

Trentemoller 'The Great Wide Yonder' out 4 June through In My Room/Stomp!

Posted: Thursday, 15 April 2010

PHONIQUE KISSES STRANGERS ON DESSOUS RECORDINGS!

pHONIQUE_PACK_KISSINGPhonique a.k.a Michael Vater is something of an institution in the realms of Deep House music. Residing in Berlin, the epicenter of all that is modern, historic and cutting edge about electronic music, the long-serving DJ and producer returns with his brand new long player.

His third studio album, ‘Kissing Strangers‘, honours Phonique‘s love for all the musical styles that he so dutifully conveys to the dance floor. Across 15 lovingly produced tracks (each co-produced with long-time colleague Alex Kruger a.k.a Tigerskin, and also a heavyweight list of respected producers like Gui Boratto, H.O.S.H., Kiloo, Kikiorix, Abyss and Pupkulies) we encounter all that is rich, pure and beautiful about modern electronic music. From catchy, underground-pop moments, to strong club-ready cuts, it’s a long player in the true sense of the phrase.

Heavily laden with touching, timeless vocals from the likes of Ian Whitelaw, Ruben, Rebecca, Louie Austen, Georg Levin and Nadeshda, the fruits of real song writing talent add to the rich mix of uplifting melodic progressions and trademark Phonique synth lines. There are so many potential classics on offer here it’s hard to know where to start... but let’s assume you start at the beginning! Every track is a highlight, so its well worth taking the time to let the album play right through, and experience it in sequence.

Saying that, it’s hard to ignore the delightful opening bars of Phonique feat. Kiloo ‘The Passion‘, in its new album format, ‘Endless Love‘ feat. Louie Austen - whose ‘rat pack‘ vocal tones have us all in raptures, or the outstanding cabaret-jazz celebration of ‘A Change Receives The Blessing‘ feat. Nadeshda. Musicality in full swing; warm and touching like the spring breeze!

Later cuts that simply jump out of the platter into your ears are the sweet ‘Summer‘ feat. Abyss, a re-affirming vibe we can all relate to, the stirring chord stabs of ‘Afrika‘ feat. H.O.S.H., or Phonique‘s amazing collaboration with Gui Boratto‘Blindfolded‘. But please, dig deeper, and there are even more treasured delights to be found!

Phonique 'Kissing Strangers' will be released 6th June 2010 through Dessous/Stomp.

Posted: Thursday, 15 April 2010

AVI BUFFALO RELEASES SELF TITLED ALBUM ON SUB POP!

Avi_buffalo_packAvi Buffalo was once just the kid named Avi (short for Avigdor Zahner-Isenberg). He’s now singing and playing guitar, but was then a vaguely aspirational skateboarder living in Long Beach, who figured between hip trauma and a never-quite-conquered fear of dropping into a half-pipe that he might need to come up with something else to do with the rest of his life. His parents never got around to getting him the Game Boy he wanted, so he turned to guitar. Years of 12-hour days attacking that (plus lessons-to-mentoring with seriously iconoclastic local blues guys) revealed a natural talent for making a very special kind of bent but lovely pop song. And that is the connect-the-dots story of how Avi Buffalo became a band—-boy meets guitar. It’s a good old story.

Then boy meets rest of his band at high school - Sheridan Riley on drums, Rebecca Coleman on keys and Arin Fazio (the old man at almost 21) on bass. By the time you read this bio, they will pretty much all be out of high school. And that means we can push past the age thing into the music thing - yes, they’re young, and yes, says Avi, they can effectively metabolize even the most ill-advised tour slops, and yes, many an article is gonna haul out a word like “wunderkind.” But what can you do? They’re gonna graduate into a beautiful little album, and not everybody gets to do that. But even this young, it’s been a long time coming.

Avi (the guy) also loves noise. What he calls “really tasteless brutal speaker gargling,” is why the Long Beach Police Department no longer permits him to rehearse in his own garage. He spent the mid-2000s singing quiet, lovely, scruffy, sophisticated songs into whatever free programs he could put on his PC.

A solo show at a much-loved vegan restaurant magnetised Avi Buffalo into a full band, they hit all the major press in the city before they had ANY kind of record out at all and engineer Aaron Embry (Elliott Smith and Emmylou Harris sideman, among others) invited Avi Buffalo to help him test out the new studio he’d built in his house. This was the big leap as Avi Buffalo had never existed anywhere but a laptop or a really good house party. One of the first songs recorded just for fun was What’s In It For?. It was also one of the first songs Avi put up on MySpace (“Because that’s all it takes,” says Avi, still a tiny bit shocked). Once Sub Pop came inquiring, What’s In It For? became the first single from the debut album. This all happened within a few months - it even screwed up their high school results (don’t worry, no catastrophes). And then, says Avi, “everything got kind of freaky!”

That’s where they are now: about to follow their first ten songs into the outside world, about to celebrate a 21st birthday and about to settle into something that they could do for the rest of their lives.

Avi Buffalo's debut album is out on the 30th of April through Sub Pop/Stomp.

Listen to the first single What's In It For here

 

Posted: Thursday, 15 April 2010

THE FIRST SINGLE FROM TRENTEMOLLERS NEW ALBUM!

trentemoller_pressshot1Finally, here it is: the long awaited new single from Anders Trentemøller, taken from his forthcoming album ‘Into The Great Wide Yonder’.

‘Sycamore Feeling’ is a beautifully melancholic downtempo song with haunting vocals courtesy of singer Marie Fisker. Fisker’s sensual, intoxicating performance, framed by a lush instrumentation with lots of ambience, make this another great Trentemøller-track.

Rough around the edges, ‘Sycamore Feeling’ definitely sounds more indie-rock than his previous releases, thanks to the use of live drums as well as electric and acoustic guitars, yet the result is vintage Trentemøller, who played all instruments except the acoustic guitar himself.

The ‘Sycamore Feeling’ CD-single contains six different versions of the track with remixes by Thomas Schumacher, Gui Boratto, Trentemoller and Mofus.

The video for ‘Sycamore Feeling’ will be directed by video-artist Jesper Just, while the artwork comes courtesy of Trentemøller’s designer-friend and live tour drummer, Henrik Vibskov and his partner in art Andreas Emenius.

‘Sycamore Feeling’ is the first release on Trentemøller’s own label In My Room.

Listen to a sneak preview of the new single here!

Posted: Thursday, 11 March 2010

NICK OLIVERI RETURNS TO AUSTRALIA FOR WHIRLWIND VISIT!

Nick OlivieriLast October Nick Oliveri kicked off a solo world tour in support of his album 'Death Acoustic' right here in Australia. Ever since he has been on the road taking it to all parts of Europe and the USA. Now he is set to return in late March for three Australian shows to complete his tour of the album.

In the country for some recording and pre production work for the forthcoming Mondo Generator release and tour which kicks off in late May, Nick will take some time out to play select shows in Sydney, Wollongong and Melbourne. With his shows in Melbourne and Wollongong both selling out and a last minute change of venue due to the closure of the Hopetoun in Sydney on the last tour, Nick has decided to return to the three cities to give the people that missed his show last time a chance to catch him in intimate, solo mode.

Throughout his career delivering audiences wild and loud rock shows with Kyuss, Queens Of The Stone Age, Mondo Generator and Dwarves, Nick has found time to solo shows an an intimate setting. Just him and his guitar, blending songs he has written for the bands he has played in, specifically written songs for the solo shows and well chosen covers. In this format he has further showcased what a great songwriter and musician he is. The latest album ‘Death Acoustic’ is the result of these efforts and the resulting live shows are truly an interactive event. Nick will do his best to adapt crowd requests to  the acoustic format, with highlights on the current tour including his versions of the Kyuss track 'Green Machine' and Queens Of The Stone Age tracks such as 'Millionaire', 'Autopilot' and 'Gonna Leave You' along with acoustic versions of tunes from artists that inspired him such as The Misfits, Turbonegro and even The Ramones.

Click here for the full tour dates.

Nick Oliveri 'Death Acoustic' is out now on Impedance Records/Stomp.

Posted: Thursday, 11 March 2010

HORSE FEATHERS WITH NEW ALBUM ON KILL ROCK STARS!

HORSE_FEATHERS_PICHorse Feathers frontman Justin Ringle has turned out to be a songwriter strongly influenced by the seasons.  His Portland, Oregon-based band’s last record, the critically acclaimed House With No Home, was a winter album par excellence, from its chilly cover art to its frostbitten songs of loneliness and loss.

But from the first piano notes of the title track, plinking like spring rain on a windowpane, new album Thistled Spring shows itself to be one of rebirth, renewal, and fragile hope.  The sun is out in the world evoked by this music, and in the first couple of songs it feels like the sun of early spring, glinting on a frosty river where the ice is just breaking up.  “Thistled Spring” and “Starving Robins” both continue Ringle’s trademark use of space in songwriting, but in this case the space is full of potential, like the spaces between drops of melting snow.  The sun gets stronger and warmer as the album moves along, shining most brilliantly in the jaunty, joyous “Belly of June”, where Ringle’s characteristically spare vocals become fattened up with delicious harmonies as the music swells with strings and banjo.  Things get positively hot in “Cascades” and “The Drought” before blossoming into the full-fledged pop Americana gem “Vernonia Blues”.

Thistled Spring as a whole displays a rich progression – more textured and lush than the band’s previous two albums, it also captures the skilful interplay of the band’s current touring line-up of Ringle, violinist Nathan Crockett, cellist Catherine Odell, and multi-instrumentalist Sam Cooper.  Lyrically Ringle continues to explore broken relationships, longing, and pain, but this album has an undercurrent of heat that translates to a thawing of frozen hearts, and music which rushes like spring torrents, all of which points to a resurgence of life after a hard winter.

Horse Feathers’ first album, Words Are Dead, received a Plug Awards nomination for Americana Album of the Year in 2007, and their second, House With No Home was one of Kill Rock Stars’ best-selling debut records ever.  The band has spent the last two years touring, and their live shows are characterised by packed houses of silent, attentive crowds listening intently to every note and every empty space.  Their recent collaboration with members of the Oregon Ballet Theatre met with great critical acclaim, and 2010 will bring further touring in the US and Europe, including SXSW and multiple summer festivals.

"It's grim stuff, to be sure, but those strings are gorgeous enough to sweep the song's entire generation of tragedy under the rug.” - NPR

"Defines an eerie space where the skeleton of a story lies: no exposition, no names, just hints of a grief and outrage." Pitchfork 

http://www.myspace.com/horsefeathersmusic

Horse Feathers - Thistled Spring - Out April 23rd through Kill Rock Stars / Stomp

Posted: Thursday, 11 March 2010

PAUL WOOLFORD MIXES 2ND EDITION OF RENAISSANCE'S PLATFORM SERIES!

pAUL_WOOLFORD_PACKThrough his work as DJ, producer, dancefloor experimentalist, remixer, collaborator and label owner, Paul Woolford has succeeded in bringing a rare level of artistry to the world of modern dance music and in doing so, made an enduring global impact. Paul’s name is synonymous with quality through his work with everyone from Depeche Mode, Simian Mobile Disco, Delphic, The Juan Maclean, Morgan Geist, DJ Hell and Underworld, through to working with vocals by Skunk Anansie, Freeform Five, Jeremy Greenspan of Junior Boys and Jamie Lidell. Turning to original work, output on his Intimacy imprint always sparks feverish reactions, all of which contributes to make an extended release like Platform a much anticipated one.

Now onto its second release the Platform series gives musicians an outlet to produce something noteworthy. Always exceptional and pioneering in his craft, Paul Woolford was an esteemed choice to curate the latest edition in the series.

Never one to compromise, Paul comments, “Immediately I had a list of records that I knew I wanted to include - every record has been picked from the heart… It was imperative to me that I used only these tracks, with no fillers at all. My aim was not to give a 'snapshot' mix of what I'm playing on the floor at this time, but to provide what is hopefully a lasting document of my approach to music.”

The result is a proper ‘mix’; an effortless listen that explores the full spectrum of techno, jazz, cinematic electronica and house.

Renaissance: Platform mixed by Paul Woolford will be out 26 March 2010 through Renaissance/Stomp.

Posted: Thursday, 11 March 2010

CRITICALLY ACCLAIMED CULT ARTIST JOSH ROUSE RETURNS!

JOSH_ROUSE_PACK“I know it’s kind of funny, this Midwestern guy doing Brazilian songs in Spanish,” says Josh Rouse about his new studio album, El Turista.  “I don’t know if it fits, but I like the way it feels.”

Unexpected and utterly sublime, El Turista’s sultry song cycle will shuffle seamlessly in tandem with Getz/Gilberto and Graceland, albums as boldly surprising in their eras as El Turista is in this one. The record marks a new direction for the critically acclaimed cult artist, while offering the musical sophistication and emotional depth Rouse’s devoted constituents have come to expect.

His new songs continue the consistently enthralling body of work highlighted by the modern-day landmark albums 1972 and Nashville. Throughout El Turista, simple, Spanish-influenced street rhythms unfurl into epic versions of Guaraldi-like jazz numbers, resulting in yet another career defining touchstone and a genre-blending album that is as sophisticated as it is infectious.

El Turista is an album made up of originals and covers in English and Spanish.

Josh Rouse - El Turista - Out 6th of March through Bedroom Classics / Stomp.

Posted: Thursday, 11 March 2010

THE CINEMATIC ORCHESTRA JOINS THE LATE NIGHT TALES FAMILY!

CINEMATIC_PACKThe idea: pick an internationally known artist with a great musical knowledge, offer them the chance to choose and mix all their favourite "home listening" and musically inspiring tracks, together with an exclusive cover recording of an all time favourite song.

Late Night Tales is proud to present The Cinematic Orchestra.

The Cinematic Orchestra’s association with the series reaches back to the inclusion of ‘Channel 1 Suite’ from their debut album ‘Motion’ on Zero 7’s memorable 2002 compilation. With track selection and order seeing many revisions since the inception of the project, we arrive in 2010 with one of the most defined Late Night Tales yet to come in the 23 title strong series

The aptly named The Cinematic Orchestra (TCO) were formed by Jason Swinscoe back in 1999 and the debut album ‘Motion’ was voted “album of the year” by listeners of Gilles Peterson’s Radio One show. In the last 6 years the Cinematics’ have played far and wide at every conceivable type of venue and on all kinds of occasion. TCO really came to the fore though with their last studio album ‘Ma Fleur’, which featured the melancholic “To Build A Home”, a track that has become a modern day classic.

With Mr.Swinscoe’s immaculate ear for the gallant, grand and the groovy, expectations is high for his Late Night Tales debut.....and by jove, it delivers! Taking in the old and the new expect to hear tracks by a diverse range of artists like Flying Lotus, Nick Drake and Bjork. Radiohead’s Thom Yorke makes an appearance as well in the form of the reflective ‘Black Swan’ and crooner Burt Bacharach sits snug alongside Dubstep hero Burial.

The Cinematic Orchestra has delivered a classic and diverse set and with a lot more surprises to come from the Late Night Tales camp, 2010 does look set to take this beautiful series to the next level.

Late Night Tales mixed by The Cinematic Orchestra will be released 10th April through Azuli/Stomp.

Posted: Thursday, 11 March 2010

DANISH SUPERSTAR TRENTEMOLLER RETURNS!

Trentemoller_pressshot2Danish musician Anders Trentemøller is to release his eagerly awaited second artist album in May 2010.

Entitled “Into The Great Wide Yonder” the second full length by the remarkably talented Copenhagen based musician will drop on Trentemøller’s own label “In My Room”.

Having started his career in the electronic scene with an array of groundbreaking yet classic singles in the early 2000’s
his music always broke genre-barriers. Alongside his single-hits Trentemøller became famous for his remixes and the “Trentemøller twist” he added to songs by Depeche Mode, Franz Ferdinand, Röyksopp, The Knife and many more.

The multi-award-winning debut album “The Last Resort” (Poker Flat Recordings, 2006) remains one of the most loved independent albums and is highly appreciated for its abundance of musical ideas and its outstanding song writing.

Followed by “The Trentemøller Chronicles”-album (Audiomatique 2008) Trentemøller’s most recent release is his first ever Mix-CD “Harbour Boat Trips 01: Copenhagen”(hfn music, 2009) which takes the listener on a roundtrip through Trentemøller’s own secret music box and melts Electronica, Neo-Folk, Indie-Rock, Psychedelia and beyond.

We are not going to spoil the surprise, but the new album is far more than a logical progression from Anders Trentemøller’s past work. It opens yet another overwhelming new “sound cosmos” in the artist’s very own song writing and production and is too good to be forced into one single genre alone. It offers a wealth of brilliant melodies and musical ideas and uses many different instruments including electronic and acoustic guitars, strings, Theremin, a bass mandolin and many electronics with a playful easiness that is seldom heard. The new album also features four vocal tracks which seamlessly fall into a simply brilliant and beautiful album that needs to be listened as a whole.

Many fellow musicians and friends contributed their skills not only to the music, but also for the artwork which has been done by design artists Henrik Vibskov and Andreas Emenius or the first video which has been directed by Jesper Just.

While the album is going to be released at the end of May, the first single “Sycamore Feeling” drops in early April.

Posted: Thursday, 25 February 2010

LINDSTROM & CHRISTABELLE NEW ALBUM!

Lindstrom_christabelle_pack"A remarkable dance record" (8,1 Pitchfork)
"Real Life is simply stellar" (9,5 / 10 XLR8R)
"A masterful 10-song pop album" (5/5 URB Magazine)
"You may not hear a better dance-pop album before the year peters out" (4/5 Resident Advisor)
"Will instantly make your jaw drop" (Anthem Magazine)

After the release of Lindstrøm’s critically acclaimed solo album Where You Go I Go Too in 2008 and 2009`s collaborative album with Prins Thomas entitled II, Norway’s maestro of disco with something really special. This time he teams up with sultry vocalist Christabelle, to bring us Real Life Is No Cool, an edgy pop album of structured chaos and hypnotic beats.

Hans-Peter Lindstrøm actually began work on Real Life Is No Cool before Where You Go I Go Too, as it happened though WYGIGT was finished first. It was his work on this new
album, containing 10 short pop songs with vocals, which became the impetus behind creating the epic and colossal masterpiece, WYGIGT (with only 3 long tracks and a opening track clocking in at 28 minutes). Essentially, WYGIGT was a kind of reaction to his work on Real Life Is No Cool. When WYGIGT began making waves around the world, Lindstrøm went back into his studio to complete Real Life Is No Cool.

Christabelle (also known as Solale to Lindstrøm followers) has been working on and off with Lindstrøm since 2001. They never planned on making an album together, but the collaboration slowly evolved into a collection of songs that ended up becoming Real Life Is No Cool. (The title is a line taken from the album track ‘Keep It Up’ -- a track about violent relationships.)
 
Lindstrøm calls their collaboration “structured chaos”, him being the structure and Christabelle the chaos.

Real Life Is No Cool is a meeting of these two different personalities.

Lindstrøm & Christabelle ‘Real Life is Not Cool’ will be released 12 March through Smalltown Supersound/Stomp.

Posted: Tuesday, 23 February 2010

GIRL GANG DUM DUM GIRLS NEW ALBUM ON SUB POP!

DUM_DUM_GIRLS_PACKWhen Dum Dum Girls leading lady Dee Dee needed a band to take her songs out of the bedroom, she looked to her friends: Jules, a San Diego-based furniture designer; Bambi, a non-profit worker in Austin; and Brooklynite Frankie Rose, a former Vivian Girl and Crystal Stilt, currently starting her own project as well. When the other three met for the first time a week before CMJ 2009, it was an instant girl gang.Dee Dee formed DDG in late 2008 as a solo project—the name a nod to both The Vaselines’ album, Dum-Dum, and the Iggy Pop song “Dum Dum Boys”

Dee Dee wrote and recorded the songs that became I Will Be over the first eight months of 2009, and she asked a few others to contribute. Yeah Yeah Yeahs guitarist Nick Zinner plays on “Yours Alone.” Crocodiles’ Brandon Welchez sings and plays guitar on the duet “Blank Girl.” Los Angeles musician Andrew Miller contributes guitars to a number of tracks.

When it came time to choose someone to gently finesse I Will Be, the name Richard Gottehrer came up on Dee Dee’s wish list. Responsible for writing such seminal songs as “My Boyfriend’s Back,” and “I Want Candy,” he also produced his own short-lived band The Strangeloves, as well as The Voidoids, Blondie, The Go-Gos, and more recently, The Raveonettes. Marvels Dee Dee, “I gave him all the rough tracks and he produced them, as I had a lot of digital effects acting as sort of placeholders. I’m not exactly sure what he did, but it’s a world of difference. The songs sound warm, and they kind of sparkle.”

I Will Be runs just under thirty minutes with eleven songs; a short tribute to love, loss, fear, fun, and the classic pop form of the ‘60s girl groups and early punk rockers. Explaining the album’s dark-and-sunny feel, Dee Dee says, “There’s an overdramatic tone, much like a teenager’s world, but applied to the experience of getting older.” No track better exemplifies that sentiment than the somnolent “Rest of Our Lives,” a lullaby about marriage that captures, she says, “that feeling when you’re 16 and you think you’re going to be with your boyfriend forever. And that you’d just die if you weren’t. Except it’s about my husband.”

On the other end of the spectrum, “Bhang Bhang, I’m a Burnout” (the curious spelling being slang for marijuana) spends roughly two-and-a-half minutes musing on the virtues of psychedelics. “Lines Her Eyes” touches on petty girl-on-girl competition, while “Jail La La” updates the Bobby Fuller Four’s “I Fought the Law” with a reverb-laden sing-along.What’s with the bipolar songs? “I tend to be an introvert. So there’s a lot of time for weird thoughts to develop in my head before I put them down on paper,” says Dee Dee. “And it’s really bizarre living in Southern California. It’s that total stereotype of being super-laidback, this ‘everything’s perfect’ vibe. But you’re miserable in the sun because you’re stuck. Like, it’s so perfect that it’s overwhelming and depressing. That’s sorta inspiring.”

Click here to listen to the first single 'Jail La La'

I Will Be is out on the 2nd of April 2010 through Sub Pop / Stomp

Posted: Tuesday, 23 February 2010

DANIEL MARTIN MOORE AND BEN SOLLEE WITH NEW ALBUM ON SUB POP!

dANIEL_BEN_PACKSHOT'Dear Companion' is a collaboration between three Kentucky musicians. The songs were written and performed by Ben Sollee and Daniel Martin Moore, and was produced by and features the many talents of Yim Yames (Jim James) of My Morning Jacket and Monsters Of Folk.

Recorded in the first half of 2009 in their home state, 'Dear Companion' explores their ties to the place they love and aims to draw attention to the problem of Mountaintop Removal coal mining (MTR) and its impact on the people and heritage of central Appalachia. A portion of the proceeds from 'Dear Companion' will benefit Appalachian Voices, an organisation devoted to ending MTR and finding a better way forward.

Knowing the power of words and music, they set out to create an album that would raise awareness about the issue. The theme might be dark, the music is not. Every song is shot through with light – and hope.

www.danielmartinmoore.com   ||   www.bensollee.com   ||   www.ilovemountains.org

Daniel’s debut album Stray Age was released in October 2008 through Sub Pop / Stomp.

Posted: Tuesday, 16 February 2010

NEW FEAR FACTORY VIDEO FOR 'FEAR CAMPAIGN' TAKEN FROM 'MECHANIZE'!

Fear Factroy new press picFollowing their highly anticipated appearance at the Big Day Out festival last month, the first video from Fear Factory’s forthcoming album Mechanize can now be viewed online at Stomp TV http://www.stomp.com.au/videos.aspx.  “Fear Campaign” was directed by the team of Ian McFarland and Mike Pecci for Boston-based, Emmy nominated Killswitch Productions.  The clip was filmed in Los Angeles with additional photographic elements and all post production completed in Boston.
 
In a recent interview with Revolver Magazine McFarland and Pecci revealed details about the video’s themes and creation.  “Burton (C. Bell, vocalist) is an extremely creative person and he had some very specific visuals in mind,” says Pecci.  “He said that he wanted to bombard the audience with rapid images that supported his lyrics.  His direction was ‘fast and intense with loads of subliminal images and symbols.’  With that, Ian and I went to the drawing board and started our normal process of deconstructing an idea and rebuilding it from the ground up.”
 
“Our goal was to make a video that was inspired by all those really cool stock footage 90’s music videos, but rather than using stock footage of the atrocities of the world, we decided to shrink those things down to single images and objects that can be identified as the tools used to create those problems,” adds McFarland.
 
“Fear Campaign” is the second single from Mechanize.  The song follows the already successful path of “Powershifter,” the first single which has had over 400,000 online plays since its introduction in mid-November.
 
Mechanize features the highly reported reconciliation of vocalist Burton C. Bell with original guitarist Dino Cazares.  Along with bassist Byron Stroud (Strapping Young Lad) and journeyman drummer Gene Hoglan (Dethlok, Strapping Young Lad), the album also welcomes back the involvement of keyboardist/producer Rhys Fulber (Front Line Assembly).  BraveWords.com says, “combining just the right elements of their own past, present and future, with Mechanize, Fear Factory has achieved instant excitement and an immediate adrenaline boost. In a word: essential.”
 
Killswitch Productions is owned by director/producer Ian McFarland.  McFarland with partner Mike Pecci have directed videos for Meshuggah, Agnostic Front, Sick of It All, All That Remains, and God Forbid.  Prior to filming “Fear Campaign,” Killswitch Productions completed work on Meshuggah’s concert film, Alive.
 
The direct link to view “Fear Campaign” is http://www.stomp.com.au/videos.aspx.

Mechanize is out now via Stomp Entertainment.

Posted: Tuesday, 16 February 2010

AGORIA MIXES NEW BALANCE!

AGORIA_PACK_BALANCEAfter raising the bar to unprecedented heights in 2009 with Joris Voorn and Will Saul’s stunning additions to the series, EQ Recordings’ Balance series returns for the new decade with yet another standard-setting mix from one of the most sophisticated and inspiring names in techno: Agoria.

The man otherwise known as Sebastien Devaud wasn’t bitten by the dance music bug until he was out of his teens, but once he began hunting imported 12”s from the US and Germany in his native France, there was no turning back. His production career began in 1999, with his debut album Blossom and first compilation following in 2003 – and it was clear even in those early days that a serious new talent was emerging. Blending the throb and groove of deeper, stripped-back techno with a keen sense of musicality, emotion and atmosphere, his is a sound that transcends beyond mere dancefloor disposability.

Agoria explains his intention for this intricate compilation: “The concept of both CDs is all about balance. Literally. In my mind a balance is not a middle position; it's a perfect equilibrium. I’m trying to be as close as possible to this idea. I have tried to find this fine line where the balance is just right.” To accomplish this perfectly-weighted contrast, he’s cherry-picked from a myriad of genres and subgenres in his “beat open-minded” fashion, combining a wealth of material from newcomers across the spectrum (including no less than 12 exclusives) with more established producers, classics and unknown gems from his broad musical past, and put it all together in an unconventional, challenging manner. “In the end, more than a DJ compilation, this is a manifesto of my passion for music and for mixing” he explains.

This superb compilation is as deep and rewarding as a well-woven novel, the dénouement of the story unfolding as the mix evolves through Agoria’s musical DNA. Yet another essential addition to the compilation series that is fast becoming the new benchmark for ambitious DJs and demanding listeners alike.

Balance 16 mixed by Agoria Out 5 March through EQ/Stomp.

Posted: Thursday, 4 February 2010

THE DEBUT SOLO ALBUM BY WHY?'S JOSIAH WOLF!

JOSIAH_WOLF_PACKJet Lag is the debut solo album by WHY? multi-instrumentalist Josiah Wolf. Wolf’s visual snapshots illustrate the wistfulness of a mundane moment and offer canny excavations of those poignancies that lie beneath the surface: tough triumphs, tougher truths, and outright failures. His lean poems are set to an autumnal mix of warm folk and easy psychedelia played out (by Wolf alone) on guitar, vibes, kalimba, Hammond organ, bells, bass, and drums, to name a few. Mixed by Josiah’s younger brother Yoni Wolf (WHY?, cLOUDEAD), the end result is a sort of chamber pop minus the showy sweeps — virtuosity without the virtuoso—makes Jet Lag as impressive in its subtle execution as it is a timeless, heartfelt listen.

“The Trailer and the Truck” opens the album like a lost thought on its way out of sleep. Notes freed by mallets bounce into the fuzzy foreground, bent chords stretch out from metal strings, then bundled bursts of drum - and strum clear the way for Wolf’s voice. On “Master Cleanse (California),” he mulls over region and religion atop spare acoustics and a kaleidoscopic chorus where shimmering sounds move to an elastic tempo. One of the album’s best follows, “The Opposite of Breathing,” with a shuffling beat, cool tones, and rich textures that evoke late-’60s Greenwich Village.

Throughout these songs, style and substance are treated with equal aplomb. The rolling bass and bright vocals of “The New Car” split the difference between The Zombies and Daniel Johnston. “The Apart Meant” rolls out a cloudy darkness, and after such heaviness, the quiet Paul Simon folk of “That Kind of Man” feels like fresh air, while “Ohioho” is genuinely sunny.

Jet Lag came together following the dissolution of an eleven-year relationship, and during a move from California back to the Midwest, where Wolf grew up. But its final two songs only look back long enough to prepare their author for newness. The stormy “Gravity Defied” conveys that knowing resignation that eventually comes, while on album-ender “The One Sign,” the breeze that Wolf was waiting on becomes a gale threatening to crash a loaded airplane. Rather than cower together or pray to God, however, the passengers stand to face fate head on. Wolf’s final lyric — "'Heaven help me' are just words that time will make you say” — echoes out before the shelter offered by the song dissolves into the outdoors.

www.myspace.com/josiahwolfjetlag

Jet Lag is out through Anticon / Stomp on the 5th of March, 2010

Posted: Thursday, 4 February 2010

DYSCORD ANNOUNCES NATIONAL TOUR IN SUPPORT OF NEW RELEASE!

dyscord_pack_tirradesCrushing riffs, pit swaying groves and highly intelligent yet sometimes comical yet uncompromising lyrics...welcome to the world of Dyscord!!

Formed in 2005, this 5 piece metal band from Perth, Western Australia is without doubt THE metal band to watch out for in 2010.

With a new record deal in place courtesy of Stomp Entertainment here in Australia for the crushing new album “Tirades” and a list of national Australian and New Zealand tour dates ready to go through February and March, along with overseas touring plans in place, Dyscord are ready to step up and show the masses exactly what an intense metal record and live show is all about.

Mixed by Jason Suecof (Chimaira, Devil Driver, Job For A Cowboy, Black Dahlia Murder) and mastered by Alan Douches at West West Side in New York City “Tirades” is without doubt the album that is going to bring Dyscord worldwide recognition.

With a sound that is all their own, Dyscord fuse elements of Death Metal, Thrash, Grind and even Melodic metal into one brutal metal melting pot to pull out a sound that is uniquely “Dyscord”. Accompanied by a live show that has to be seen to be believed Dyscord are the complete metal package.

Dyscord are not some trend/fad “core” band...they are a straight up 100% unrelenting metal act doing things their way!! In a modern day metal world of clone bands Dyscord are leader setting the pace..not a follower...you have been warned...so get involved!!

Click here for tour dates!

Check out the first single ‘Behold’ at www.myspace.com/dyscord

Posted: Thursday, 4 February 2010

THE FUTURE OF HOUSE IS HERE!

set_troxler_packBoogybytes - it is about score, about clubs and pubs, about personality and the things that define us...” This vocal introduces the next instalment of the Boogybytes mix CD series. Volume 5 is the first CD not to feature a star from the label but to give a surprise appearance to the extremely charismatic and not-so-secret insider tip Seth Troxler. His top-drawer DJ, remixing and production skills, as well as his highly praised releases on labels including the Ghostly International sub-label Spectral Sound, have helped him attract considerable interest and great bookings in his home city of Detroit and his current surroundings in Berlin. BPC aficionados may be familiar with Seth through his collaboration with Ryan Crosson and Sean Reves. The trio delivered an extremely successful remix for Kiki under the name “Visionquest” which has been licensed for numerous other releases.

After the success of their night at the Berlin club Watergate, the paths of Ellen Allien und Seth Troxler crossed once again. Seth was spontaneously given the honour of making a Boogybytes CD. After agreeing euphorically and without hesitation, Seth took the time to carefully reflect on his new environment in Berlin: “I wanted to do something which would set itself apart from all the trends, and yet paint a picture of this city and portray it the way I experience it.”

The track selection which came out of this process conveys this picture superbly. Its palpable deepness occasionally harbours a touch of melancholy, yet never becomes overwhelming, for at its peaks - which certainly include Seth's Fever Ray mix - the tension is released in the most explosive and unbridled manner. Seth already considers certain tracks as classics. For him, Nicolas JaarísTime For Us” and the epic “Birds And Souls” are works with a great future.

Seth's particular way of combining the most varied of musical elements is shown both in his fitting track selection and in his remarkable mixing technique. Not only are the individual remixes artfully arranged and intertwined, but single elements are also occasionally reemployed as material in a sound montage. Seth merges tracks into one another almost imperceptibly whilst constantly creating new angles in the way they overlap and retreat from one another. Other songs, on the other hand, follow one another abruptly and yet completely seamlessly. Sound elements are dispersed over the tracks, acting as recurring signals. In the case of the dance floor stormer “Stricher” by Roman Flügel (one half of the duo Alter Ego), a complete section of the song is remoulded as a transition between tracks. The 4/4 kick drum does not remain fundamentally in the foreground; in the funk-jazz-tinged pieces by Bakara and Dinky its presence is withdrawn, although the compulsion to dance is never lost. Seth Troxler pays homage both to his Detroit roots and to the minimal house style of his new home, and as a result he moves his hallmark sound beyond the limits of 12” releases for the first time.

Stay tuned for Seth Troxler tour dates!

Boogybytes Vol.5 mixed by Seth Troxler out 26 February 2010 through Bpitch Control/Stomp!

Posted: Thursday, 4 February 2010

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